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Features 32 of Shigeru Ban's exemplary projects, divided into 5 sections based on the primary materials or construction principle used: paper, wood, bamboo, prefabrication, and skin. Each project is documented with color photographs, plans, drawings, and a brief project description.
- Sales Rank: #1483201 in Books
- Published on: 2006-03-01
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x 1.00" w x 10.00" l, 3.27 pounds
- Binding: Paperback
- 240 pages
Review
'For all his experimentation, Ban is not simply a technician. He is just as interested in spatial concepts and social projects. It's this range and his lateral thinking that come across in the wonderful book, leaving one in no doubt that Ban, at only 46, is probably the most dazzling figure on Japan's architectural scene today.' (Royal Institute of British Architects Journal) 'Phaidon's single architect monographs are a delectable way to take in an architect's oeuvre, and this new book on Shigeru Ban is no exception.' (Wallpaper*) 'As a record of an important body of work, this book can be thoroughly recommended ... elegantly designed ... and beautifully printed. The range of projects is sufficiently varied to sustain coverage at this length.' (Building Design) 'The book also rightly presents Ban not simply as a Japanese architect but as a 'global architect'.' (AA (Architectural Association) Files) 'Handsome ... an excellent introduction to the work of Ban ... the colour reproductions of the buildings are excellent.' (Resurgence) 'This fittingly cardboard-covered monograph presents Ban's extraordinary architecture as well as detailed technical data on the structural capabilities of various paper products. Ban's material research is as impressive as his designs are sublime.' (The Architect's Newspaper) 'This new monograph on Shigeru Ban's oeuvre is a valuable reference for likeminded architects.' (Architecture) 'A volume ... as straightforward and elegant as the thirty-two projects portrayed within.' (Journal of Architectural Education)
About the Author
Matilda McQuaid is Deputy Curatorial Director and Head of the Textiles Department at Cooper-Hewitt.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Not Enough Blueprint Detail
By Steven
There are many beautiful photographs. What I really wanted from it was the engineering details for the construction and testing of the cardboard tubes and detailed architectural drawings of the structures. There are details you will find in this book that don't appear to be published anywhere online, but if you are looking to reproduce some of Ban's work, you'll have to make some educated guesses on the dimensions. There are good details on how the cardboard tubes were tested and coated with urethane.
14 of 14 people found the following review helpful.
"Shigeru Ban is the future."
By ArchiZona
Shigeru Ban is famous for his innovative use of building materials, structural rigor and pureness. This book captures all these quintessential attributes of this ingenious architect.
The editor did a great job of organizing Ban's projects according to the building materials (i.e., paper, wood, bamboo, prefab, and skin). Multiple projects in each chapter form a coherent and articulated presentation of how Ban took advantage of the uniquessness of certain material and incorporated it into his architectural philosophy and aesthetics.
The text is technical oriented which often includes the characteristics of the materials and the issues concerning structural engineering. At the end of most chapters, you can find detailed technical information and test statistics of the building materials used in the featured projects. Moreover, at the beginning of the book, Ban also contributed an article on the whole building process of building his classic work: Japanese Pavillion, which is very informative and instructive.
Another noteworthy strength of this book is that it reveals the connectness of Ban's different projects and shows how the architect developed and built his own architectural style programmatically (e.g., How he developed, refined, and matured the paper architecture, the furniture house idea, the ivy structure, and the universal floor plan through several dozens of projects).
Put together, this is a well-organized, thoughtful, and informative book about Ban's contribution to the international architectural community. Bravo!
13 of 14 people found the following review helpful.
Excellent, persuasive monograph
By Joel Dabrowski
The book itself is almost the perfect monograph. Each project is described concisely, and it has all the drawings and photos to orient the reader to the site, the program and the idea. The drawings and photos range from the finest detail to the biggest gestures, and doesn't isolate the projects like they're pristine objects. The photos often emphasize the construction or assembly of the work, though the finished photos and model shots are expressive and informative too. The pages with experimental and test calculations are well-organized and relate back to specific projects and details, using graphs, tables and pictures or drawings of the elements or details in question. For a non-engineer, it's all rather clear and convincing. I've never seen ideas and processes presented so rationally and convincingly. Nothing here seems superfluous and Ban reveals his process and interests completely to the reader.
Of course, the projects themselves are fantastic. John Hedjuk's influence is all over the work, and I dare say that Ban's actualized projects are now richer, have reached greater depth and are more expressive and informative than his mentor's. On one level, you could imagine that Ban's preoccupation with wood products, "green" construction and sustainable design started as a bad pun that served as the basis of his student thesis. ("Paper Architecture." Ha-ha.) But the rigor and depth that he brings to each project break through any temptation to show self-conscious irony or superficiality. At the end of the day, he's an architect's architect who controls proportion and light, defines space and considers human scale in all his work. He makes Calatrava look like "just" an engineer. And his works aren't just formal exercises with nine square grids and such. His ideas and works begin to touch on politics without seeming pretentious or partisan with his refugeee shelters and other more recent work (although those private houses do present a counterpoint to the socially-oriented work in more ways than one).
Anyway, great book, great work. I'm totally convinced of Ban's skills and talent.
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